At the beginning of the year, six players from the UNC-Chapel Hill men’s soccer team were awarded the opportunity to play for Major League Soccer, the United States’ professional soccer league.
“It’s a tremendous reward for our players. They deserve it,” assistant coach Carlos Somoano says.
Four players were selected in the 2011 MLS SuperDraft in Baltimore, Md. in January. Senior defender Jalil Anibaba was taken ninth overall by the Chicago Fire. “I was very excited because the draft is a very stressful time,” Anibaba says. “It’s a dream come true, and it’s a moment I’ve been waiting for my whole life.”
Anibaba, who will join a team captained by former Tar Heel Logan Pause, was named MVP of the 2011 pre-draft PlayerCombine. “It was an honor to be seen as the MVP when you’re participating in an event with such great players,” he says. “It’s humbling.”
Eddie Ababio, a senior outside defender, was selected 18th overall by the Colorado Rapids, the defending MLS Cup champions. Anibaba and Ababio are the eighth and ninth Tar Heels ever picked in the first round of the MLS SuperDraft.
Michael Farfan was taken 24th overall, by the Philadelphia Union. The back-to-back All-American midfielder will join former Tar Heel Sheanon Williams with the Union.
Stephen McCarthy, also a midfielder, was selected immediately after Farfan by the New England Revolution. Despite being one of the four Tar Heels selected in the draft, McCarthy did not enjoy the draft experience. “It was terrible,” he says. “For guys that go top 10, it was probably a great experience. For me, it was a pretty nerve-wracking experience.”
However, McCarthy isn’t intimidated by being the first Tar Heel drafted by the Revolution and has not felt any extra pressure. “I just try to do the best I can,” he says.
In order to perform at his best, McCarthy has had to make adjustments to the higher standard of professional play. “It’s been pretty nuts,” McCarthy says. “It’s a whole new level of intensity. After practice, all I want to do is sleep.”
Somano says the Carolina program is known for creating great players. “We have a tradition here of pushing our guys to be great. When you create an environment like (Carolina), players will become great,” Somoano says.
Two other Tar Heels were added to MLS rosters following the SuperDraft. Senior midfielder Dustin McCarthy was selected by the Los Angeles Galaxy in the 2011 MLS Supplemental Draft, a secondary draft held after the SuperDraft. A day later, Alex Dixon, a junior midfielder, signed a contract with the Houston Dynamo.
Carolina is now tied for the fourth-most players drafted in MLS history, with McCarthy as the 33rd Tar Heel ever selected in the MLS SuperDraft. “There’s a tradition (at Carolina) consistent in winning and producing professional soccer players,” assistant coach Jeff Negalha says.
So, what’s next for these Tar Heels?
“As a rookie, you have to be open to anything, including playing new positions. I just want to do whatever I can to help the team,” Anibaba says.

Left to right: Jalil Anibaba, Defender; Eddie Ababio, Defender/Forward; Michael Farfan, Midfielder; Stephen McCarthy, Midfielder
-Will Rimer
Photo Source: tarheelblue.com
Music, Consensus, and Rock Greats
With rock greats like the Beatles and the Rolling Stones dominating lists of the best musicians of the past century, I’ve often come to wonder who will remain relevant in the decades from now. The other day, I read an old article written by journalist and author Chuck Klosterman about comedian and late night TV legend Johnny Carson after the celebrity’s death. He said that Carson was a funny person, but his true significance and importance lies in the fact that he was basically the last great cultural icon.
The connection between these two ideas may seem far-fetched, but trust me, they are more related than you’d think. I think what Klosterman was getting at is that there was once this sense of a shared, collective culture and a perceived consensus, probably because of limited media sources. As he said, “There will never again be cultural knowledge that everybody shares, mostly because there is just too much culture.”
Back in the ‘60s, we are led to believe that everyone in America was watching when the Beatles performed “I Want To Hold Your Hand” on the Ed Sullivan Show. This is probably somewhat likely. Back in the days of limited television channels and definitely no internet in sight, the outlets through which popular music was transmitted were limited, at least compared to today. Magazines such as Rolling Stone would put rock stars like Jim Morrison on its cover and tell us that he was worth caring about. The majority seems to have listened.
Today, we have an infinite number of choices, which is an idea that Klosterman also draws on. With blogs, social media sites and the like telling us about this band and that band, this obscure singer and that under-the-radar rapper, it’s hard to keep up. I’m not saying that there aren’t cultural figures that many of us seem to know and agree on and that there were in the past. After all, I think that the passage of time definitely explains why many of us can stand back and say that Jimi Hendrix was an amazing guitarist or that Led Zeppelin led the way for many metal bands that were to follow.
I think, however, that the idea of a consensus is harder to believe when two-way communication dominates our interactions with the media. Today, there are millions of blogs and sites like Pitchfork or Live Music Guide devoted solely to music and reviews – individual listeners can argue back against mainstream expressions. So what if many magazines named Kanye West’s recent album the best of 2010? We don’t have to listen. With a click of the mouse and flickering of our fingers across the keyboard, we can tell the world that we disagree or agree or are completely confused or that, frankly, we could care less. The media is still telling us what to believe, but we can just as easily drown their messages out with our own opinions and voices. Now, we are the media.
It’s hard to compare the current cultural and music environment of our time to that of the ‘60s and ‘70s. It can be argued that rock ‘n’ roll basically dominated much of those decades, basking in its newness and unfamiliarity. Today, the assortment of genres and subgenres that receive radio airplay have vastly increased – hip hop and pop are more likely to reach number one on top 40 charts than rock. In that vein, however, we don’t even need to listen to the radio. We have Pandora, GrooveShark, etc. We can choose what we want to listen to and when we want to listen to it.
Perhaps these are some reasons why the idea of the “greats of yesteryear” seems unattainable for our generation. To some extent I have always believed there was somewhat of a consensus about great musicians of all time, even if I personally disagreed with the choices. For example, even if I used to be a little less than crazy about Queen (don’t worry – I have since reformed), I feel like I understood their place in rock cultural history. I knew better than to expect that every single person liked every single popular band, but still. So, here’s the question: years from now will a list of the great rockers of right now (the future past, if you know what I mean) develop? Or is our cultural identity becoming less and less homogeneous by the day, to the extent that a consensus will be as ancient as cassette players? It may be a little clichéd, but only time will tell.
-Margot Pien